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Style One Title No.07 Toshi



In a break with tradition, the name of the princess was chosen by her parents, instead of by the Emperor. It was selected from clause 56 of Li Lou II, one of the teachings of the Chinese philosopher Mencius. Aiko, the princess's personal name, is written with the kanji characters for 'love' (愛) and 'child' (子) and means "a person who loves others".[4] The princess also has an imperial title, Princess Toshi (敬宮, toshi-no-miya), which means "a person who respects others".[4]


The series takes its title from the song of the same name, which was originally released on a hit record by The Romantics in 1980; it was written by the group's members Wally Palmar, Mike Skill, Rich Cole, and Jimmy Marinos. A cover version of the song, performed by the Canadian all-female rock group Lillix, was used as the theme song for the show. Lillix's cover version was also heard on the soundtrack of the 2003 remake of Freaky Friday and the soundtrack of the film 13 Going on 30. The theme was remixed into a techno/dance style theme for the second season by Philip Steir (who composed all the music for remainder of the series).


The opening title sequence used for the rest of the series featured the show's cast in front of digitally inserted scenes of New York at night. Different versions of the sequence were used for SD and HD broadcasts: the SD version seen in The WB, TeenNick and until October 6, 2010 in ABC Family airings, featured a letterbox-style version with the cast and creators' names in a black bar below the sequence; HD broadcasts on The WB and in ABC Family airings since October 6, 2010, featured the cast and creators' names within the sequence itself. The sequence was modified twice; the first time was in the episode "The Incredible Shrinking Group" when Stephen Dunham's video headshots were removed and the second modification was in "The Longest Night of the Year" when all traces of Michael McMillian were removed from the sequence and a yellow streak of light was added to the sequence as well.


This series dates from early in Yoshitoshi's career. It was one of his first major series, and his first to illustrate ghosts. It was an ambitious attempt by Yoshitoshi, but only 26 of the 100 prints were ever published. The series was based upon a game where fearsome stories are told by candlelight - one light being extinguished after each story told (note the candle on the title page). The series demonstrates Yoshitoshi's ability to deal with gruesome material at an early stage.Technical detailsDates: 1865 (2) - 1865 (9)Size: ŌbanSigned: Ikkaisai Yoshitoshi gaSeal: KiriPublishers: Daikin Text by various authors: Kanagaki Robun, Sumida Ryōko, Kikuyōtei Rokō, Sankanjin Korai.Previous cataloguingsListed in Keyes' thesis:Roger. S. Keyes, "Courage and Silence: A Study of the Life andColor Woodblock Prints of Tsukioka Yoshitoshi 1839-1892",Cinncinnati, 1982where it appears as series #134;Eric van den Ing, Robert Schaap, "Beauty and Violence: JapanesePrints by Yoshitoshi 1839-1892",Havilland, Eindhoven, 1992where it appears as series #10 (pg. 35);


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